In the windswept expanse of Thy National Park in northwestern Denmark, a solitary structure rests quietly among dunes and endless grasses. Vipp Cold Hawaii is not simply a guesthouse; it is an exercise in restraint — a study in how architecture can exist in dialogue with nature rather than in competition with it.
The resulting structure gracefully integrates with the landscape, nestled among rocks, lichen-covered terrain, ferns, conifers, and deciduous trees along Norway’s southeastern coast, facing the Skagerrak Sea.
I mean, the materials are central to everything we’re doing, and many times they’re the starting point for a project. We don’t start with a form and then clad it. For us, the form of the building, its character, evolves from materiality we’re interested in, and the materiality we find around the site. We like to make buildings that are very connected to the things that are already there.
There should be a meaning to the architecture. And having that smallest of details in telling the story is something that’s exciting to us and also to our clients.
On boarding houses, space, Japan, Lisa Minelli, and when clients really f*ck things up…
Interview with Jonas Bjerre-Poulsen
On the concept of Soft Minimalism, the healing power of nature, and what makes an architectural project a success.
The Japanese architect Keiji Ashizawa renovated two Tokyo apartments. Do the results show us how we might live in a post-pandemic city?
